Ramparts entirely girding the town were built in two different historical periods: the 16th c and first half of 18th century and the views from them are expansive in every direction.
By the 17th century, St-MALO was the largest port in France and famous for its Corsairs. They were commissioned by the King to carry out naval warfare on his behalf and prey on the commerce of foreign ships.
The drive from our village of Mohon was about one and a half hours after which Glenn skilfully guided the car through the medieval, cobble-stoned streets to a parking place at the foot of the ramparts. Our first stop was at the top of the steps at the Creperie where we had tasty buckwheat pancakes with Libby and Eric. After that, we agreed on a time to meet and went our separate ways to explore the town.
The Cathedral was interesting in that there were painted scenes of religions practices from many other faiths including Buddhism, Shintoism, Islam, Caodaism to name a few. The altar too was different, made of enamelled metal (brass I think).
There were lots of intrigueing goods in the tiny shops including the largest meringues I've ever seen.
I couldn't resist going into a working studio where a painter was at work on a portrait, but it was the textile art works that were particularly interesting. Most were made from tapestry pieces stitched together to form the skin of a stuffed animal.
The pig in the middle is a different technique utilising ruched pieces of fabric to cover the basic form of the animal.
They brought to mind all the unfinished tapestries there are on the top shelves in sewing rooms. Take note members of the Central Coast Handweavers, Spinners and Textile Arts Guild!
My sincere thanks to Celine Jegou for allowing me to photograph her beautiful work.
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